Rave Generation

Sonic Sweep 2

🎛️ The next generation console channel & bus processor inspired by the classic 8 bus console lineage. Three independent sweepable channels, a musical parallel/serial blend engine and deep analog modelling help you sculpt vibrant, mix ready sound faster than ever.

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KEY FEATURES• Tri channel EQ strip
With fully parametric Hi & Lo Mid bands (variable Bandwidth 3 – 1⁄12 oct), dedicated 12 kHz / 80 Hz shelves and a 75 Hz 18 dB/oct low cut.
• Authentic analog behaviour
Input transformers, soft‑clip fader amps, console age asymmetric
distortion, and calibrated wide‑band console hiss can be dialled in per taste.
• Parallel <> Serial engine
Continuously morph between pure serial processing and true parallel summing with equal power cross fade.
• Variable EQ resolution
Switchable X2 Gain (±15dB > ±30dB) and X2 Freq (3kHz > 6kHz).
• Clip indicators
On each channel output. | Zero latency and CPU optimised biquadratic filters.
• Shared Hi/Lo shelves
Applied post-blend maintain phase-coherence across all routing modes for cohesive tone.
• Living console noise
With authentic drift, hum and random wandering for that "breathing" analog vibe.
• Smart shelf protection
Automatically engages when driving GAIN IN hard, preventing digital artifacts at extreme settings.
• Console-authentic signal flow
Low-cuts before routing split prevent phase issues; post-fader mutes preserve noise floor.

USER INTERFACE - MAIN CONTROLS

TRIM: Control the input volume with the TRIM knob, ranging from -40.00dB to +40.00dB. Fine-tune your audio levels with precision.CONSOLE NOISE: Calibrated hiss derived from a classic 8 bus console spectrum.CONSOLE AGE: Asymmetric distortion simulating analog component aging.GAIN X2: Switchable X2 Gain. Doubles boost/cut span of parametric bands (±15dB > ±30dB).FREQ X2: Variable EQ resolution (3kHz > 6kHz). Affect only the parametric bands, keeping shelves at musical ±15dB.GAIN IN: Adjust the input gain with a range from Infinity to +40dB. This emulation of an analog mixing console circuit adds warmth and character to your audio. Dialing further the signal gets overdriven and clipped creating harmonious gain distortion.HI MID: Fine-tune your audio with a ±15dB equalization control. This true 3-control parametric design allows precise adjustments to the high-mid frequencies.HI MID FREQ: Modify the frequency of your high-mid adjustments using a range from 500Hz to 18kHz.BAND WIDTH OCTAVES: Shape the width of your equalization bands with this knob, ranging from 3 octaves to 1/12 octave. Achieve the right balance and clarity in your sound.LO MID: Utilize ±15dB equalization control for the low-mid frequencies.LO MID FREQ: Adjust the low-mid frequency within the 45Hz to 3kHz range. Tailor your sound to match your creative vision.BAND WIDTH OCTAVES: Shape the width of your equalization bands with this knob, ranging from 3 octaves to 1/12 octave.LO EQ: Shape the low-end of your audio using this ±15dB fixed 80Hz shelving equalizer. Adding depth to your mix.HI EQ: Enhance high-frequency elements using the ±15dB fixed 12kHz shelving equalizer. Bring out the brilliance and sparkle in your tracks.LOW CUT: Activate an 18dB/octave low-cut (high-pass) filter by pressing this button. With a -3dB point at 75Hz to eliminate unwanted low frequencies.EQ IN: Engage or disengage the EQ knobs on the channel with this button. Quickly toggle between the enhanced and original audio.EQ FLIP: Flip the signal flow of the EQ SECTION and CLIPPER with this switch. Experiment with unique signal routing configurations.FADER: Control the channel volume with a fader that ranges from Infinity (∞) to +10dB. Achieve the perfect mix balance effortlessly.BYPASS: Mute the channel instantly using the BYPASS button. Ideal for comparing the processed and unprocessed sounds.OUTPUT: Adjust the output volume with the OUTPUT fader, ranging from Infinity (∞) to +10dB. Ensure your final mix is at the desired level.PARALLEL <> DAISY BLEND: Equal power cross fade between processing paths (0 % = parallel, 100 % = serial).MIX: Blend your input signal with the processed output signal using the MIX knob, adjustable from 0% to 100%. Discover the ideal blend for your project's needs.PRESETS: Explore a rich collection of factory presets crafted by various artists. Instantly access a range of sonic textures and creative possibilities at your fingertips.

• Sonic Sweep 2 User Manual

• SonicSweep2-Presets.zip

• Folder
• GitHub

Rave Generation

Filterbank

🔊 Welcome to Rave Generation: Filterbank. This state-of-the-art audio plugin brings your tracks to life with advanced analog filter modeling, sophisticated modulation systems, and authentic distortion characteristics. Designed for producers, sound designers, and performers who demand exceptional sound quality and creative flexibility, Filterbank delivers the warmth and character of legendary analog hardware within a precision-engineered digital environment.🎛️ Filterbank is the result of extensive research into analog circuit behavior, capturing the subtle non-linearities, component interactions, and distinctive characteristics that make hardware filters so coveted. Whether you're crafting experimental soundscapes, adding movement to static sounds, or bringing aggressive character to your mix, Filterbank provides the tools to elevate your productions with authentic analog warmth and character.

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KEY FEATURES• Advanced analog modeling
Features meticulously designed State Variable Filter architecture with non-linear feedback paths, capacitor simulation, and component interaction modeling for authentic analog sound.
• Dual filter system
Two independent filters with lowpass, bandpass, and highpass modes, each enhanced with Moog-inspired resonance feedback and precise blending capabilities. The filters can be arranged in parallel or serial configurations for maximum flexibility.
• Multi-stage distortion
Introduces genuine analog warmth or aggressive harmonic enhancement through multiple distortion algorithms including asymmetric processing, DC offset management, and dynamic component saturation.
• Modulation matrix
Integrates LFO, ADSR, and AR envelope generators with multiple trigger sources (audio, sidechain, MIDI) for evolving, dynamic control over all filter parameters.
• Advanced envelope system
Features Attack-Release (AR) amplitude control and Attack-Decay-Sustain-Release (ADSR) modulation with analog-inspired timing characteristics and multiple trigger modes including envelope follower functionality.
• Thermal drift simulation
Employs subtle modulation of harmonic distortion characteristics to recreate the "breathing" quality of analog hardware, adding organic variation to the sound over time.
• Precision pitch tracking
Dynamically adjusts filter frequencies based on input pitch detection, creating musical filter responses that complement the source material.
• High-quality signal processing
Employs 4x oversampling with sophisticated anti-aliasing for pristine audio quality, even with extreme settings.
• MIDI integration
Full MIDI CC compatibility with specialized note triggering system for live performance and sequenced modulation.

USER INTERFACE - MAIN CONTROLS

Top row controls
INPUT: Controls the input gain and drive into the filter system. Higher settings introduce analog-style saturation and harmonic enhancement at the input stage, significantly affecting the overall character of the processing.
FM (Frequency Modulation): Adjusts the amount of frequency modulation applied to both filters, allowing for complex timbral changes, sideband generation, and aggressive sonic transformations.ADSR controls: The central ADSR section includes:
A (Attack): Controls the attack phase of the ADSR envelope, determining how quickly the modulation rises when triggered.
D (Decay): Sets the time for the ADSR envelope to fall from peak to sustain level after the attack phase completes.
S (Sustain): Determines the held level of the ADSR envelope while the trigger remains active.
R (Release): Controls how long the ADSR envelope takes to return to zero after the trigger ends.SPEED: Controls the frequency of the LFO from extremely slow modulation through typical LFO rates to audio-rate modulation, enabling both subtle movement and FM-like effects.
DEPTH: A bipolar control for LFO intensity. Center position provides no modulation, while turning right or left increases the modulation depth in different phase relationships, allowing complementary modulation of both filters.AM (Amplitude modulation): Controls the depth of amplitude modulation, creating tremolo, ring-modulation, and gating effects depending on settings.PAR<>SER: Controls the routing of the dual filter system. Fully left (PAR) processes audio through both filters in parallel, while fully right (SER) routes the output of Filter 1 into Filter 2 for serial processing. Intermediate settings blend between these configurations.BYP<>EFF: Controls the balance between the bypassed (dry) and processed (wet) signals. At center position, both signals are mixed equally, while fully left bypasses all processing, and fully right applies 100% effect.Switch controls
HI BOOST/HI CUT/NORMAL: A three-position switch that controls pre-filter equalization. HI BOOST enhances high frequencies before filtering for added brightness, NORMAL maintains a neutral frequency response, and HI CUT reduces high frequencies for a warmer character.SENSITRIG/NORMAL/LIMIT: A three-position switch controlling the trigger sensitivity for both AR and ADSR envelopes:
SENSITRIG: Increases trigger sensitivity for better response to quiet sources
NORMAL: Standard trigger sensitivity for most audio material
LIMIT: Reduces sensitivity to prevent false triggering with complex material+OCTAVE/NORMAL/+QUINT: A three-position switch for harmonic enhancement:
+OCTAVE: Raises filter frequencies by one octave
NORMAL: No transposition
+QUINT: Introduces a unique quint (fifth) transposition that adds harmonic complexityTRACK/NORMAL/TRACK LOW: Controls the pitch tracking function:
TRACK: Dynamically adjusts filter frequencies based on the detected pitch of the input
NORMAL: Disables pitch tracking
TRACK LOW: Similar to TRACK but targets lower frequencies, ideal for bass materialFilter controls
FREQ 1: Sets the cutoff frequency for Filter 1. This exponential control provides fine adjustment in the critical lower frequencies while allowing quick access to the full frequency spectrum.
RESO 1: Adjusts the resonance feedback for Filter 1. Higher settings emphasize frequencies near the cutoff point, creating peaks that can range from subtle enhancement to extreme self-oscillation.
LBH 1: A bipolar control that smoothly blends between lowpass (fully left), bandpass (center), and highpass (fully right) responses for Filter 1.
BLH 1: A sophisticated correction control that modifies the filter response by adding or subtracting filter components. At center position (0), no correction is applied. Moving left (-B) reduces bandpass presence, while moving right (-B+LH) adds lowpass and highpass components to the bandpass.HARMONICS: A 12-position rotary switch that defines the harmonic relationship between Filter 1 and Filter 2. "FREE" allows independent control, while the numbered positions lock Filter 2 to specific musical intervals relative to Filter 1.FREQ 2: Sets the cutoff frequency for Filter 2. When HARMONICS is active, this control is subordinate to FREQ 1 according to the selected harmonic relationship.
RESO 2: Controls the resonance for Filter 2 with a slightly different character than RESO 1, allowing complementary tonal shaping when both filters are used together.
LBH 2: Provides the same filter type control as LBH 1 but for Filter 2, enabling complex dual-filter configurations.
BLH 2: Provides the same correction functionality as BLH 1 but for Filter 2.Envelope and trigger controls
AR TRIG: Selects the trigger source for the AR envelope:
OFF: No external triggering (manual control only)
SIDECHAIN: Uses audio from the sidechain input for triggering
MIDI: Allows MIDI notes to trigger the AR envelopeA (Attack): Controls the attack time for the AR amplitude envelope, shaping how quickly the processed signal reaches full volume.
R (Release): Sets the release time for the AR envelope, determining how the processed signal fades out when the trigger ends.Bottom panel controls
DIST TYPE: Choose between different distortion modes:
CLEAN: Minimal distortion with subtle enhancement
WARM: Analog-inspired saturation with even harmonic emphasis
CRUNCH: More aggressive distortion with complex harmonic content
EDGE: Maximum distortion with pronounced frequency-dependent characterTRIG ADSR: Selects the trigger source for the ADSR envelope.
OFF: No external triggering (manual control only)
SIDECHAIN: Uses audio from the sidechain input for triggering
MIDI: Allows MIDI notes to trigger the ADSR envelopeTRIG AR: Selects the trigger source for the AR envelope.
OFF: No external triggering (manual control only)
SIDECHAIN: Uses audio from the sidechain input for triggering
MIDI: Allows MIDI notes to trigger the AR envelopeADSR SENS: Controls the audio threshold level (in dB) for ADSR triggering. Adjust this to fine-tune how the ADSR responds to your audio material.
AR SENS: Controls the audio threshold level (in dB) at which the AR envelope will trigger when using audio input as a trigger source. Lower values make the AR more sensitive to quiet sounds.THD DRIFT: Controls the amount of thermal drift simulation, affecting how the distortion characteristics subtly change over time. Higher settings create more pronounced "breathing" effects typical of analog hardware.NOISE: Introduces calibrated pink noise into the signal path, useful for adding texture, creating ambient atmospheres, or enhancing percussive elements.LFO SYNC: Synchronizes the LFO frequency to your DAW's tempo with various rhythmic divisions (1/1, 1/2, 1/4, etc.), ensuring perfectly timed filter modulation.OUTPUT: Adjusts the final output gain after all processing. This compensates for level changes introduced by filtering and distortion.Additional controls
LFO MODE: A three-position switch selecting between RESTART (LFO restarts with each new trigger), NORMAL (standard sine wave modulation), and SAWTOOTH (changing the LFO waveform from sine to sawtooth for different modulation characteristics).ADSR MODE: A three-position switch selecting between:
ADSR: Standard envelope generator mode with full ADSR control
FREEZE: Sustains the current envelope state regardless of trigger input
ENVELOPE FOLLOWER: Dynamically tracks the amplitude of the input signalOVERSAMPLE: Toggles between standard processing and 4x oversampling. When enabled, this significantly reduces aliasing artifacts, particularly with high resonance settings and upper-frequency content, at the cost of increased CPU usage.

AUDIO EXAMPLE 1 - Sidechain triggering

❗️RAVE GENERATION PLUGINS ARE SUPPORTED BY ARTISTS LIKE:❗️Adaro, Angerfist, Catscan, Charly Lownoise, Digital Punk, Dr Phunk, Furyan, Leviathan, Marc Acardipane, Maarten Vorwerk, Neophyte, Nosferatu, Per Pleks, Predator, Rebekah, Re-Style, Ruffneck, Showtek, Stan Christ, Tha Playah, The Viper, Waxweazle, Zany, and many more.

• Filterbank User Manual

• Filterbank-Presets.zip

• Filterbank Tech Paper

• Folder
• GitHub

Rave Generation

SUPER CHORUS

🔊 Super Chorus is an authentic emulation plugin that faithfully recreates three iconic chorus circuits from classic gear spanning four decades. From the warm, analog swirl of an 80s rack unit heard on countless dreamy guitar and synth tracks, to the bright, wide stereo chorus that defined 90s trance pads, to the fluid, expressive modulation behind the legendary hoover sound of mid-80s synths, Super Chorus captures the distinctive tones that shaped electronic music history.🎛️ Beyond faithful hardware emulation, Super Chorus introduces modern enhancements like stereo width control, variable mixing ratios, and comprehensive parameter access across all modes.🎶 Whether you're crafting lush 80s synthwave pads, adding movement to guitar tracks, or creating the massive chorus sweeps that define electronic music, this plugin delivers the authentic character and modern flexibility to elevate your productions.

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KEY FEATURES• Three authentic chorus algorithms
Modeled after CE-300, JP-8000 Super Chorus, and Alpha Juno 2 chorus circuits.
• Hardware-accurate BBD simulation
Authentic bucket brigade delay characteristics with proper frequency response and modulation behavior.
• Period-correct rate mapping
Logarithmic scaling for CE-300/JP-8000, linear mapping for Alpha Juno 2 (research-based authenticity).
• Integrated compression/expansion
Authentic compander processing (CE-300) and VCA-style dynamics (Alpha Juno 2).
• True stereo processing
Phase-inverted LFO modulation for authentic stereo imaging.
• Modern enhancements
Stereo width control, variable dry/wet mixing, and tone shaping.
• Direct Mute functionality
Authentic Direct Mute behavior per original hardware specifications.
• Triangle wave LFO
Continuously variable rate control from 0.1-10Hz with interpolation.
• BBD filtering simulation
Authentic high-frequency rolloff and analog warmth.

USER INTERFACE - MAIN CONTROLS

EFFECT: Master bypass switch for the entire chorus effect.INPUT LEVEL: Input gain control with soft saturation for analog warmth.RATE: LFO speed control - logarithmic for CE-300/JP-8000, linear for Alpha Juno 2.DEPTH: Modulation depth affecting BBD clock modulation intensity.DIRECT MUTE: Removes or reduces dry signal component (behavior varies per mode).CHORUS TONE: High-frequency shaping of chorus signal (0%=dark, 100%=bright)CHORUS LEVEL: Dry/wet balance with equal-power crossfadingHI MID FREQ: Modify the frequency of your high-mid adjustments using a range from 500Hz to 18kHz.SUPER MODE: Selects the chorus algorithm and processing characteristicsWIDTH: Stereo width enhancement from normal (0%) to ultra-wide (100%)

AUDIO EXAMPLES

• Super Chorus User Manual

• SuperChorus-Presets.zip

• Folder
• GitHub

Rave Generation

BDX-909

🔊 No need for introduction

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KEY FEATURES• What would it be?

USER INTERFACE - MAIN CONTROLS

If you don't know – Then don't buy.

• BDX-909 DoNotReadme

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• GitHub

Rave Generation

SONIC DYNAMICS

🔊 Sonic Dynamics is a powerful stereo compressor/limiter plug‑in by Rave Generation, inspired by a classic analog dynamics processor design. It delivers authentic vintage character and modern flexibility through detailed analog modeling.🎛️ Two emulation modes are provided: Modern/Rev D for clean, precise dynamics (using THAT2180 VCA, low noise and fast envelope response) and Vintage/Rev C for colored, “musical” compression (with DBX2150-style VCA, more distortion, ripple-induced saturation and slower, pumping envelopes).🎶 Sonic Dynamics faithfully captures soft‑knee curves, separate peak/RMS detection, sidechain gating, and stereo linking behaviors of its hardware predecessor, while adding modern conveniences (mix control, high-pass sidechain filter, etc.). The result is an analog‑flavored compressor/limiter with gate and sidechain capabilities that is equally at home on sources from vocals to drum bus and mix bus.

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KEY FEATURES• Compressor/Limiter
Feed-forward VCA compressor with controls for threshold, ratio, attack, release, knee, and make-up gain. In Limit mode, it uses a high ratio and fixed attack/release for fast, transparent limiting. Soft knee gives a smooth transition, while hard knee is abrupt; detection can be Peak or RMS.
• Low-Frequency Relax (De-Rumbler)
The Lo Freq Relax HPF cleans up sub-bass before detection. It is a cascaded 24 dB/oct high-pass filter whose cutoff is controlled by the knob. Use this to prevent deep bass hits (like kick or low-end rumble) from over-triggering compression. For example, setting it to 80 Hz can avoid excessive pumping on bass-heavy tracks. At 0 Hz this feature is disabled.
• Sidechain Routing
The main inputs feed both the audio output and the internal sidechain detector. If an external sidechain is available and Ext SC is enabled, the plug-in uses the auxiliary inputs as the detection source for both compressor and gate. This allows ducking or keycontrolled effects. The Lo Freq Relax HPF is always applied to whichever source is used for detection.
• Stereo/Dual-Mono Processing
By default, Sonic Dynamics is a true stereo processor. With Stereo Link on, one envelope (from the louder channel) drives both channels’ VCAs. With Link off, it operates in dual-mono: each channel’s compressor and gate respond independently.
• Gate/Expander
After the compressor section, Sonic Dynamics applies a gate on each channel. The gate threshold and decay are set by Gate Threshold and Gate Rate. If the signal falls below the threshold, the gate closes: it remains open for a fixed “hold” time (the Gate Rate setting) then exponentially decays shut. This models the hardware’s gate circuit (100 kΩ/1 µF network). Use the gate to silence noise or bleed during quiet passages. The gate detector also follows the selected sidechain source.
• Auto and Mode-Dependent Control Behavior
Sonic Dynamics automatically disables or ignores certain controls when specific modes are active, mirroring the behavior of the analog hardware:
- Limit Mode: When Limit mode is engaged, Attack, Release, and Ratio controls are disabled. The compressor operates with a fixed, ultra-fast attack, a musical release, and an extremely high ratio (for true peak limiting). Adjusting these knobs has no effect in Limit mode.
- RMS Mode: When RMS detection is selected, Attack and Release controls are disabled. In this mode, the envelope timing is set internally for slow, program-dependent behavior, and the knobs are bypassed.
- LED Meters: The gain reduction (GR) and output meters remain active in all modes, giving you instant visual feedback on compression, gating, and output levels with no added latency.

USER INTERFACE - MAIN CONTROLS

Threshold (dB) – Sets the compression threshold. Turning it clockwise raises the threshold, resulting in less compression. Below this level the signal is passed through; above it, gain reduction is applied.Ratio (:1) – Sets the compression ratio. Lower ratios (e.g. 2:1–4:1) provide gentle leveling, while higher ratios (e.g. 10:1 and above) clamp peaks more aggressively. In Limit mode (when Limit is On), the ratio is effectively very high (modeled as ~50:1) for true limiting.Attack (ms) – Controls how fast the compressor reacts to signal above threshold. It ranges from 0.1 ms (instant attack) to 60 ms (slower attack) by default. Short attack times clamp transients tightly; longer times let initial peaks through for punch.Release (ms) – Sets the release time (50–500 ms by default) for how quickly gain reduction returns to zero after the signal falls below threshold. Longer release smooths gain changes; shorter release is more “snappy.” In RMS mode, the plug‑in uses internal long attack/release constants and ignores the Attack/Release knobs.Output (Make-Up Gain) (dB) – Adjusts the output level (0 to +20 dB). This compensates for gain reduction or introduces analog-style saturation when pushed. Typical analog practice is to add a few dB of make-up gain after compression, sometimes driving into subtle soft clipping for warmth.Peak/RMS – Selects detector mode. Peak responds to signal transients for fast, punchy compression. RMS uses an averaged detector for smoother, program-level control—attack and release times are fixed internally in this mode, so the Attack/Release knobs are bypassed. Use Peak for percussive material, RMS for transparent leveling.Knee (Hard/Soft) – Switch between hard-knee (abrupt onset of compression) and soft-knee (smooth transition around the threshold). Use Hard knee for precise limiting or effect compression; Soft knee for more transparent or musical leveling.Bypass/Comp – Engage or bypass compression. In Comp mode, the compressor processes the signal normally. In Bypass mode, the input is passed through untouched (use this to compare processed vs. dry). In hardware this was a hard switch; here it toggles DSP processing on/off.Gate Threshold (dB) – Sets the gate (expander) threshold from –60 dB to +10 dB. When the input (or sidechain) level falls below this threshold, the gate closes (attenuates signal). Clockwise increases the threshold (making gating more aggressive). The gate uses an envelope that immediately opens when the level exceeds this threshold.Gate Rate (ms) – Sets the gate release (decay) time from 20 ms up to 2000 ms (2 s). When the signal drops below the threshold, the gate stays open for the set time, then smoothly fades closed.Stereo Link (Off/On) – Toggles linking of the two channels. When On (linked), the compressor computes a single envelope from the louder (max) channel and applies that gain reduction to both channels. This prevents stereo imbalance (gain changes in one channel are “tracked” by the other). When Off (dual-mono), each channel is processed independently.
Additional controls | Second rowRevision (Rev C/Vintage ; Rev D/Modern) – Selects the hardware revision emulation. Rev D (Modern) is the default: it models a pristine version of the hardware (low noise, tight response). Rev C (Vintage) models an earlier revision with more noise, hum, and distortion (plus slower envelope). See the Rev C vs Rev D Emulation section for details.Limit (Off/On) – Engages Limiter mode. With Limit on, compression acts as a peak limiter: the ratio is set very high and attack/release are effectively maximized so that strong peaks are held at the threshold. This provides “brick-wall” style limiting. In this mode, the attack and release controls do little (the plug‑in uses near-instant attack and long release to catch peaks).Lo Freq Relax (Hz) – Applies a sidechain high-pass filter (0–250 Hz) in cascade (24 dB/octave). Turning up this knob reduces the compressor’s sensitivity to low frequencies (preventing “pumping” from deep bass). At 0 Hz the filter is bypassed (full bandwidth). Typical use: set 40–100 Hz to let sub-bass fluctuate without triggering gain reduction.Ext SC (Off/On) – External Sidechain enable. When Off, the compressor and gate detect on the main input signal. When On, they use the external sidechain inputs (if your DAW route provides a sidechain input) as the detection source . This allows, for example, ducking the signal with another track, or de-essing by feeding a de-esser EQ into the sidechain.Mix (%) – Dry/Wet mix control (0–100%). At 100%, only the compressed (wet) signal is heard. At 0%, the signal is fully dry (bypassed). Intermediate settings blend the two equally (true parallel compression). Use this for parallel processing (e.g. heavy compression on the wet blend while retaining dynamics on the dry mix).Main Out (dB) – Final output level trim (–20 to +20 dB). This adjusts the overall output volume of both channels. It can be used for additional make-up gain or to attenuate the output after clipping.Clip 0dB (Off/On) – Optional 0 dB hard clip. When On, the output waveform is clipped at 0 dBFS. A small amount of soft saturation is applied just before clipping for a smooth transition (mimicking analog saturation near its rails). Use this as a safety limiter to prevent digital overs, or as a creative “brick-wall” effect on peaks.Meters – Below the controls are four meters: GR L/R (Gain Reduction) and Level L/R (Output Level). The GR meters show the instantaneous gain reduction in dB for each channel. The Level meters show output level in dBFS for each channel (smoothed peak). Watch the GR meters to see compression amount and the Level meters to monitor output peaks, especially when Clip 0dB is on.

• Sonic Dynamics User Manual

• SonicDynamics-Presets.zip

• Folder
• GitHub

Rave Generation

TRIGGER RHYTHM

🔊 SY-1K Trigger Rhythm is a recreation of a legendary 1980s analog drum ‘synthesizer’, one of the most distinctive and influential electronic drum sounds of the era. From the thunderous toms on Phil Collins' "In the Air Tonight" to the cutting snares that defined the decade's pop and rock productions, this classic analog character shaped countless iconic recordings.🎛️ At its core, SY-1K features the dual CMOS 4069 triangle wave oscillators, authentic filter pole spreading with unequal integrator capacitors, envelope-based pitch sweeping, and characteristic CMOS asymmetries that created the legendary 80s drum sound. Building on this vintage foundation, we've added five modern waveforms, comprehensive LFO modulation with tempo sync, MIDI key tracking, and contemporary drive saturation.🎶 Whether you're seeking the authentic 80s sound or exploring new territories with extended modulation capabilities, SY-1K Trigger Rhythm delivers the warmth, punch, and character that made the original a studio legend. From classic gated reverb drums to modern EDM percussion, from vintage analog warmth to cutting-edge digital precision, SY-1K captures the essence of hardware drum synthesis while offering the convenience and flexibility of modern plugin technology.

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KEY FEATURESAuthentic 80s Drum Synth Recreation
• Complete dual CMOS 4069 triangle wave oscillator modeling
• Authentic filter pole spreading with unequal integrator capacitors (1nF, 2nF, 1nF)
• CMOS propagation delay artifacts and temperature drift simulation
• Mode E pseudo-sawtooth via +8V injection technique
• Classic envelope-based pitch sweepingExtended Waveform Library
• 7 vintage modes: Triangle, FM, Dual Mix, Velocity Mix, Pseudo-Saw, Noise, FM+Noise
• 5 additional modern waveforms: Asteroid, Coconut, Bones, Boxeur, Bottle Cap
• Each mode with unique harmonic content and character profiles
• Authentic CMOS asymmetries and analog imperfectionsComprehensive LFO System
• Four waveform shapes: Square, Triangle, Sine, Sawtooth
• Tempo sync with 13 note divisions (1/1 to 1/16T + dotted variants)
• 0.1-50Hz frequency range for creative modulation
• Sample & Hold for vintage random pitch modulation
• Bipolar depth control (-100% to +100%) for inverted modulation
• Transport-synced phase reset for reproducible behaviorAdvanced Trigger System
• Five trigger modes: Audio, MIDI, MIDI Key, Audio+MIDI, Audio+MIDI Key
• MIDI key tracking with full chromatic support (C1-B3)
• Note sync override for precise musical tuning
• Adjustable trigger threshold and sensitivityModern Enhancements
• Advanced drive algorithm with four saturation stages
• Professional envelope handling with click-free retriggering
• Comprehensive automation support with parameter smoothing
• LED trigger indicator for visual feedbackProfessional Audio Quality
• 64-bit floating-point internal processing
• Anti-aliasing and reconstruction filtering
• Optimized for low CPU usage and real-time performance
• Zero-latency design suitable for live performance

USER INTERFACE - MAIN CONTROLS

Osc Mode – Selects oscillator waveform and synthesis method
Tune – Base frequency/pitch of the oscillator
Tune Sync – Musical note sync override (C1–B3)
Decay – Amplitude envelope decay time (6–2500 ms)
Width – Filter envelope modulation depth / brightness (0–100%)
Sweep Speed – Pitch envelope decay rate (5–1000 ms)
Sweep Range – Amount of pitch modulation (0–100%)
Sweep Direction – Pitch envelope direction (Down/Up)
Drive – Harmonic saturation amount (0–100%)
LFO Speed – LFO frequency in Hz (0.1–50 Hz)
LFO Sync – Tempo sync divisions (OFF + 12 steps: 1/1 to 1/16T + dotted)
LFO Depth – LFO modulation amount, bipolar (-100% to +100%)
LFO Shape – LFO waveform shape (Square, Triangle, Sine, Sawtooth)
Sample Hold – Random pitch modulation (OFF/ON)
Output – Final output level (-20 to +20 dB)
Trigger Sense – Audio trigger threshold (-60 to 0 dB)
Trigger Mode – Audio/MIDI/Key tracking options (5 modes)
Mix – Dry/wet blend for parallel processing (0–100%)
Trigger LED – Lights when voice is triggered (100ms duration)

• Trigger Rhythm User Manual

• TriggerRhythm-Presets.zip

• Folder
• GitHub

Rave Generation

TIME MODULATOR

🔊 Time Modulator is a recreation of a legendary 1970s analog delay processor, one of the most sophisticated time-based effects units ever created. Originally designed in the mid-1970s, this iconic unit achieved an unprecedented 95dB signal-to-noise ratio through innovative dual BBD (Bucket Brigade Delay) architecture combined with modified dbx 303 compander technology.🎛️ This plugin faithfully recreates the complete signal path of the original unit, including the proprietary ADL-70-D (Dynamic) and ADL-60-S (Static) delay modules, custom-modified dbx 303 compander boards, and the sophisticated internal LFO system. From the warm analog swirl heard on Stevie Wonder's "Songs in the Key of Life" to the otherworldly flanging on David Bowie's "Ashes to Ashes," from the thunderous bass processing on Queen's "Another One Bites the Dust" to the iconic Darth Vader voice effects in Star Wars, Time Modulator captures the distinctive characteristics that made this legendary processor essential for both musical productions and groundbreaking sci-fi movie sound effects throughout the 70s and 80s.🎶 Beyond faithful hardware emulation, Time Modulator introduces modern enhancements like comprehensive automation support and professional parameter smoothing. All while maintaining the authentic analog character and complex sonic interactions that defined an era of creative sound design.

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KEY FEATURESAuthentic dual BBD architecture
• Reticon SAD1024 BBD simulation with proper 1024-stage characteristics
• ADL-70-D Dynamic Module: Continuously variable 1–25ms primary delay
• ADL-60-S Static Module: Auxiliary delay with stable timing for complex effects
• Voltage-controlled clock generation with anti-aliasing and reconstructionModified dbx 303 compander system
• St. Croix's custom modifications optimized for outboard gear applications
• 95dB signal-to-noise ratio with sophisticated encode/decode processing
• Linked compressor/expander operation around delay modules
• Custom VCA filters and RMS detector pre-emphasis circuitsComplete LFO waveform set
• Six authentic waveforms: Sine, Square, Saw, Triangle, SSC, Random
• 0.1–10Hz frequency range with musical voltage control characteristics
• Function mode-specific behavior and waveform shaping
• Dual-phase output for authentic stereo delay modulation6-Preset system
• Flange presets 1–3: Matched delay ratios inspired by classic flanging configurations
• Delay presets 1–3: Extended delay times for echo and doubling effects
• Carefully tuned delay ranges and time relationships
• Seamless preset switching with parameter interpolationThree function modes
• Audio Delay: Clean delay mode with extended timing for echo effects
• Time Mod: Primary flanging/modulation mode with complex feedback
• Phase Shift: Phase-based effects with quadrature LFO relationshipsAuthentic LED monitoring
• Time CV Limit LED: Indicates when CV modulation hits limiting rails
• Overload LED: Monitors input level after Input Level control

USER INTERFACE - MAIN CONTROLS

Input Level – Pre-delay input gain with analog saturation characteristics (-20 to +20 dB)
Feed Through – Dry signal level – higher values emphasize original signal (0–100%)
Feed Back – Regenerative feedback amount – creates resonance and complexity (0–100%)
Delay Out A – Primary delay (ADL-70-D) output level (0–100%)
Delay Out B – Auxiliary delay (ADL-60-S) output level (0–100%)Time Delay – Main delay time within selected preset range (0–100%)
Time CV Att – Time CV Attenuator – blends manual vs. modulated control (0–100%)
Function – Selects processing mode: Audio Delay, Time Mod, or Phase Shift
Preset – Selects delay ranges: Flange 1–3, Delay 1–3LFO Rate – Internal LFO frequency with musical scaling (0.1–10.0 Hz)
LFO Shape – LFO waveform shape (Sine, Square, Saw, Triangle, SSC, Random)Invert A Phase – Phase inversion for Delay A output (default: On) (Off/On)
Invert B Phase – Phase inversion for Delay B output (default: Off) (Off/On)Aux Delay In – Enables auxiliary delay processing (ADL-60-S module) (Off/On)
Aux Delay – Sets auxiliary delay processing mode (>+10 ms / +25 ms / +EXT)Master Output – Final output level control (-20 to +20 dB)Overload LED – Input level monitoring – Lights when input exceeds 0 dB after Input Level control
Time CV Limit LED – CV limiting detection – Indicates when modulation hits preset delay range limits

• Time Modulator User Manual

• TimeModulator-Presets.zip

• Folder
• GitHub

Rave Generation

Rave Distortion

🔊 Welcome to Rave Generation: Rave Distortion. This plugin is an audio effect inspired by various hardware devices, including distortion and overdrive pedals, synthesizer filters, EQs, mixing consoles, and filter banks. It is designed to add warmth, character, and intensity to audio signals.🎛️ With a combination of high-pass, lowpass, and resonant peak filters capable of generating feedback loops, along with flexible saturation and distortion stages, this plugin offers a wide range of possibilities suitable for various musical genres and audio applications.🎶 Additionally, Rave Distortion is equipped with a dynamic low-frequency oscillator (LFO) integration. This LFO can be applied to modulate filter frequencies, providing rhythmic variations that are tempo-synced with your project.

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KEY FEATURES• Multiple Filter Types
Includes high-pass, low-pass, mid, and low-frequency filters each with resonance and modulation capabilities. Features a 2-pole resonant high-pass filter (12dB/octave) and a 4-pole low-pass filter (24dB/octave) modeled after a transistor ladder filter for smooth and warm effects.
• Dual Distortion Stages
Two separate distortion stages each with their own dry/wet mix and post-gain controls.
• Dynamic LFO Integration
LFO rate can be synced with project tempo, affecting the low-pass filter frequency for rhythmic modulation effects.
• Advanced Saturator with adjustable drive
Fine-tune saturation to achieve everything from subtle warmth to aggressive distortion.
• DC Block Filters
Prevent DC offset, ensuring clean and high-quality audio output.
• Comprehensive Parameter Control
Extensive control over each aspect of the audio processing to tweak the sound to perfection, including controls for low-mid and high-mid filters with adjustable bandwidth (1/12 octave to 3 octaves).

USER INTERFACE - MAIN CONTROLS

1. PRE-HP (Pre-High-Pass): Controls the frequency cutoff of the resonant high-pass filter which removes low-frequency content from the input signal before processing. This is a 2-pole (second-order) resonant high-pass filter, providing a slope of 12dB/octave.2. HP RESO.: Adjusts the resonance of the high-pass filter. Capable of generating feedback.3. LP FREQ (Low-Pass Frequency): Adjusts the cutoff frequency of the low-pass filter. This 4-pole (fourth-order) filter, with a slope of 24dB/octave, is modeled after a well-known transistor ladder filter by cascading four one-pole filters in series. This design achieves a smooth and warm filtering effect, renowned for its distinctive sound and resonance in classic synthesis. The unique sound, especially when driven hard, results from its non-linear behavior, managed through polynomial approximations.4. LP RESO. (Low-Pass Resonance): The resonance parameter controls the feedback mechanism, shaping the filter's self-oscillation characteristics and enhancing its analog warmth.5. LFO RATE (Low-Pass LFO Rate): Sets the rate at which the low-pass filter frequency is modulated by the low-frequency oscillator, allowing rhythmic variations that sync to the tempo of the host DAW.6. LFO DEPTH (Low-Pass LFO Depth): Controls the depth of the modulation effect applied to the low-pass filter frequency by the LFO, affecting how dramatically the filter frequency changes.7. SAT. DRIVE (Saturation Drive): Adjusts the drive level for the saturation effect, controlling the intensity of harmonic distortion.8. DC BIAS: Introduces a continuous direct current (DC) offset into the signal path before saturation, altering the waveform symmetry and affecting the harmonic distortion for unique tonal shaping and dynamic effects.9. SAT. OUTPUT (Saturation Output): Sets the output level of the saturation effect.10. LM FREQ (Low-Mid Frequency): Controls the center frequency of the low-mid peak filter. This is a second-order peaking filter with a 12dB/octave slope on each side of the peak.11. LM WIDTH: Adjusts the bandwidth of the low-mid peak filter. Modeled after well-known American and German 8-bus mixing consoles. When the control is fully to the left (0.0), the bandwidth is 3 octaves (wide). When the control is fully to the right (1.0), the bandwidth is 1/12 octave (narrow). When the control is in the middle (0.5), the bandwidth is approximately 1.5417 octaves.12. LM GAIN: Sets the gain of the low-mid peak filter.13. DISTORTION 1: Controls the intensity of the first distortion stage.14. DRY/WET 1: Adjusts the balance between the dry (unprocessed) and wet (processed) signals for the first distortion stage.15. POST GAIN 1: Sets the output volume of the first distortion stage, useful for leveling after processing.16. HM FREQ (High-Mid Frequency): Controls the center frequency of the high-mid peak filter.17. HM WIDTH: Adjusts the bandwidth of the high-mid peak filter. Modeled after well-known American and German 8-bus mixing consoles. When the control is fully to the left (0.0), the bandwidth is 3 octaves (wide). When the control is fully to the right (1.0), the bandwidth is 1/12 octave (narrow). When the control is in the middle (0.5), the bandwidth is approximately 1.5417 octaves.18. HM GAIN: Sets the gain of the high-mid peak filter.19. DISTORTION 2: Controls the intensity of the second distortion stage.20. DRY/WET 2: Adjusts the balance between the dry (unprocessed) and wet (processed) signals for the second distortion stage.21. POST GAIN 2: Sets the output level of the second distortion stage.22. LF FREQ (Low Frequency): Adjust the low-frequency filter settings for shaping the bass content.23. LF GAIN: Sets the gain of the filter.24. OUTPUT: Sets the overall output level of the plugin.

SIGNAL FLOW

• Rave Distortion User Manual

• RaveDistortion-Presets.zip

• Folder
• GitHub

Rave Generation

Sonic Surge

🎶 Welcome to Sonic Surge, a sophisticated audio processing plugin developed for modern music producers and sound engineers. This plugin employs advanced dynamic saturation techniques and precise filtering controls to offer versatile sound shaping capabilities.🔊 Sonic Surge features tape-like saturation, tone curve shaping for dynamic control, enhanced saturation options, and smart adaptive limiting for precise audio processing.🎛️ Whether your goal is subtle enhancement or significant transformation of your tracks, Sonic Surge provides the necessary flexibility and sound quality to become a valuable asset in any audio production setup.

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KEY FEATURES• Advanced Dynamic Processing
Sonic Surge incorporates sophisticated algorithms to modify audio dynamics subtly or aggressively, depending on user settings. This feature allows for significant enhancements in perceived loudness and impact without compromising the natural dynamics of the source material.
• Flexible Crossover Adjustment
The adjustable crossover control allows users to precisely set the frequency at which the signal splits into low and high bands, ranging from 60 Hz to 8000 Hz. This flexibility is critical for tailoring the processing to different types of audio content.
• Dual Band Drive Control
With separate drive controls for low and high frequency bands, users can finely tune the harmonic content and texture of their audio. This dual-band approach ensures that both warmth and clarity are within easy reach.
• Rich Harmonic Saturation
The Harmonic Drive feature simulates the characteristics of analog Tape Saturation, adding harmonic complexity and richness to the audio signal. This can be adjusted to enhance everything from subtle nuances to bold, vintage textures.
• Comprehensive Tone Shaping
The Tone Curve parameter adjusts the dynamic impact across the frequency spectrum, enabling users to boost either the louder or quieter parts of a track, thereby enhancing overall presence or revealing hidden details.
• Integrated Clipping Control
Smart Clip 0dB functionality provides both soft and hard clipping options to prevent digital clipping and maintain pristine audio quality at high output levels.
• Versatile Application
Sonic Surge is suited for a broad range of audio processing tasks, from mixing and mastering in studio settings to live sound reinforcement and creative sound design.

USER INTERFACE - MAIN CONTROLS

Influx Level (dB): Adjusts the initial input gain level before any processing is applied, setting the stage for how subsequent effects like dynamic saturation and filtering interact with the signal.Lo Band Drive (dB), Hi Band Drive (dB): Controls the amount of drive applied to low and high frequency bands, respectively. Increasing these settings enhances the harmonic content and perceived warmth or brightness, tailored by the adjustable crossover frequency.Crossover (Hz): This control sets the frequency at which the signal is divided between low and high bands. It is adjustable from 60 Hz to 8000 Hz, allowing users to fine-tune the division point based on the material being processed.Dynamic Depth (%): Modulates the depth of dynamic processing applied, influencing how pronounced the dynamic changes are. This control can affect both the subtlety and aggressiveness of the dynamic enhancement.Harmonic Drive (%): Determines the level of harmonic saturation applied to the signal. As this control is increased, it adds richness and texture, simulating the effect of tape-like saturation.Tone Curve: Dynamically shapes the audio by influencing the amplitude distribution across the frequency spectrum. Positive settings emphasize louder parts, enhancing presence and punch, while negative settings bring out quieter details, useful in mastering contexts.Outflux Level (dB): Sets the final output gain level after all processing has been applied, essential for maintaining consistent output levels regardless of the processing intensity.Smart Clip 0dB (on/off): Engages a dual-stage clipping mechanism that combines soft and hard clipping to ensure the output does not exceed digital zero, preventing unwanted distortion and maintaining clarity.

• Sonic Surge User Manual

• SonicSurge-Presets.zip

• Folder
• GitHub

Rave Generation

Sonic Air

🎶 Sonic Air is a powerful high-frequency enhancement plugin designed to add clarity, brilliance, and harmonic richness to your mixes. Whether you're shaping transients, boosting air bands, or introducing controlled harmonic saturation, Sonic Air offers precision and musicality in one streamlined tool.🔊 Harmonic Modes allow you to shape your sound with five distinct saturation styles: Tube, Tape, Retro, Warm, and Inflator Mode (inspired by classic loudness maximization techniques) adding harmonic richness while preserving dynamic integrity.🎛️ The Strength control lets you fine-tune the intensity of the exciter effect, making it versatile for subtle enhancement or aggressive shaping. Meanwhile, Listen Mode allows you to isolate the processed signal, helping you dial in settings with precision.✨ An advanced adaptive shelving filter provides smoother, more natural high-frequency shaping, dynamically responding to your input signal for an airy, pristine top-end.

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KEY FEATURES• HF Exciter
Enhances high-frequency content to add brightness and presence to your mix. The HF Exciter parameter allows fine-tuning of the exciter amount to achieve the desired level of enhancement.
• HF Start
Sets the cutoff frequency for the HF Exciter, allowing precise control over which frequencies are affected.
• Mid Air and High Air
Provides dynamic enhancement for the mid and high-frequency ranges, adding air and clarity. These controls adjust the intensity of the enhancement, bringing out details in your mix.
• Strength
Controls the intensity of the dynamic enhancement applied to the exciter bands. Higher values result in stronger and more aggressive harmonic processing.
• Harmonic Mode
Selects between different harmonic saturation modes for high-frequency enhancement, including Tube, Tape, Retro, Warm, and Inflator.
• Transient Enhancement
The plugin automatically applies transient enhancement to high-frequency content, making percussive elements and other transient-heavy sounds more prominent without adding harshness. This internal feature ensures that your mix retains clarity and impact.
• Integrated Clipping Control
Includes a dual-stage clipping mechanism to prevent digital clipping and maintain pristine audio quality at high output levels. This feature combines soft clipping, hard clipping, and soft limiting to ensure the output does not exceed digital zero, providing both protection and a pleasing analog-like distortion.
• Listen Mode
Allows users to isolate the processed high-frequency content for detailed adjustments.
• Internal Dynamic Enhancement
The plugin uses an internal dynamic enhancement technique that applies soft clipping to add harmonic distortion. This processing step adds warmth and character to your mix, making it sound more analog-like and musical.

USER INTERFACE - MAIN CONTROLS

HF Exciter (%): Adjusts the amount of high-frequency excitation.Cutoff Frequency (Hz): Sets the cutoff frequency for the HF Exciter.Mid Air (%): Controls the enhancement level for mid frequencies.High Air (%): Controls the enhancement level for high frequencies.Strength (%): Adjusts the intensity of dynamic enhancement.Harmonic Mode: Selects between Tube, Tape, Retro, Warm, and Inflator.Trim (dB): Adjusts the final output gain.Clip 0dB (on/off): Engages the Smart Clip 0dB feature, which uses dual-stage clipping:
• Soft Clipping: Gradually limits the signal as it approaches the threshold, providing smooth distortion.
• Hard Clipping: Ensures that the signal does not exceed the threshold, providing absolute protection against digital clipping.
• Soft Limiting: Adds an additional layer of control, reducing peaks in a more musical manner, preserving the natural dynamics of the audio.Listen Mode (on/off): Outputs only the excited signal for fine-tuning.Effect In (on/off): Enables or bypasses the processing.

• Sonic Air User Manual

• Sonic Air User Comparison

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• GitHub

Rave Generation

Sonic Spread

🎶 Welcome to Sonic Spread, a stereo utility plugin designed to enhance your stereo imaging and provide precise control over delay-based spatial effects. Sonic Spread is perfect for sound designers, music producers, and audio engineers who seek to add depth, width, and dimension to their mixes.🔊 This plugin excels at creating the Haas effect—a psychoacoustic phenomenon that enhances stereo imaging by introducing slight delays between the left and right channels. Additionally, Sonic Spread can emulate the classic Duophonic effect, popularized by Capitol Records in the 1960s. This effect simulates stereo sound from a mono source by splitting the signal into two channels, delaying one, and using frequency shaping. Specifically, bass frequencies are cut from one channel using a high-pass filter, while treble frequencies are cut from the other with a low-pass filter. This process creates an artificial stereo effect, which can be further enhanced with reverb and stereo echo.🎛️ Sonic Spread goes beyond basic stereo enhancement by offering precise control over multiple parameters such as delay, frequency filtering, volume adjustment, and pan positioning. Users can customize stereo width with dedicated controls for the mid and side channels, allowing for intricate balancing and mixing. Additionally, the built-in clipping protection ensures that no distortion occurs, making it suitable for both subtle enhancements and more aggressive stereo effects. Sonic Spread’s combination of these features makes it an indispensable tool for sound engineers aiming for professional-grade stereo imaging.

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KEY FEATURES• Delay Control
Independently adjust the delay for the left and right channels, creating a wider stereo image.
• Stero Width Control
Precisely control the stereo width to widen or narrow the stereo field, enhancing the spatial characteristics of your audio.
• Frequency Shaping
Use high-pass and low-pass filters on both left and right channels for detailed tonal shaping.
• Volume and Pan Adjustments
Separate controls for mid and side channels allow you to balance the stereo field and control panoramic placement.
• Dry/Wet Mix
Adjust the blend between processed (wet) and unprocessed (dry) signals for flexible effect intensity.
• Clipping Protection
Built-in soft and hard clipping prevents any peaks above 0dB, ensuring a clean and distortion-free output.
• Duophonic Effect Capabilities
Simulate stereo sound from mono sources by desynchronizing two channels, with frequency shaping and optional reverb or stereo echo.

USER INTERFACE - MAIN CONTROLS

Delay L (ms): Adjusts the delay time for the left channel, from 0.0 ms to 40.0 ms.
Delay R (ms): Adjusts the delay time for the right channel, from 0.0 ms to 40.0 ms.
Delay Width (%): Adjusts the stereo spread between the left and right delays.
Delay Mix (%): Controls the mix between the dry (original) and wet (delayed) signals.Lowpass L (%): Applies a low-pass filter to the left delayed signal.
Lowpass R (%): Applies a low-pass filter to the right delayed signal.Volume Mid (dB): Adjusts the volume of the mid (center) signal.
Volume Side (dB): Adjusts the volume of the side (stereo) signal.Highpass L (%): Applies a high-pass filter to the left delayed signal.
Highpass R (%): Applies a high-pass filter to the right delayed signal.Pan Mid: Controls the panning of the mid signal.
Pan Side: Controls the panning of the side signal.Main Width (%): Adjusts the overall stereo width.
Main Mix (%): Controls the mix between the original and processed signals.
Main Volume (dB): Sets the overall output level.Clip 0dB (on/off): Engages clipping protection to prevent the output from exceeding 0 dB, which uses dual-stage clipping:
• Soft Clipping: Gradually limits the signal as it approaches the threshold, providing smooth distortion.
• Hard Clipping: Ensures that the signal does not exceed the threshold, providing absolute protection against digital clipping.
• Soft Limiting: Adds an additional layer of control, reducing peaks in a more musical manner, preserving the natural dynamics of the audio.

• Sonic Spread User Manual

• Folder
• GitHub

Rave Generation

Rave Station

🎶 RAVE STATION is a versatile VST instrument inspired by mid-90s Workstations, Samplers, and Effects.🔊 With a vast array of sounds and comprehensive effect and synthesis parameters, it's suitable for all electronic dance music genres, particularly excelling in Rave, Techno, mid-90s Hardcore, Eurodance, House and Old School styles.• Including 400+ SOUNDS: Hoovers, Stabs, Synths, Organs, Pianos, Basses, FX, Drum Kits, Breakbeat Kits, Vocal Kits, and more.

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SYNTHESIS PARAMETERS
• VCA: Amplifier controller consisting of Glide control, Pitch Band Range, Poly or Mono mode, Transpose, and Pan
• VCF: Low-pass and High-pass Filter based on 12, 24, 36, and 48dB/oct analog filters with Drive control
• ENV: Envelope control; Attack, Decay, Sustain, and Release
• LFO: Rate and Depth control over Pitch & Pan with Sine, Saw & Square waveformsEFFECT PARAMETERS
• EQUALIZER: 3-Band Sweepable Filter with Resonance and Gain control
• CHORUS: Based on vintage Synthesizer Chorus
• PHASER: Based on vintage Super Phaser
• DRIVE: Saturation/Overdrive Boost
• COMPRESSOR: Extensive Compressor
• DELAY: Stereo Delay
• REVERB: Stereo Reverb
• LIMITER: Hard Brickwall Limiter

VISUAL PARAMETERS
• VU METER: Volume Unit
• DB METER: Left speaker on the left, and right speaker on the right
• KEYBOARD: 3-Octave Keyboard Playable with mouse• All parameters can be automated

• Rave Station User Manual

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• GitHub

Rave Generation

Soundbanks

🔊 This soundbank for TAL Software's TAL-Pha features 200 presets inspired by Rave, Early Hardcore, and Hard Techno, crafted by Re-Style. It includes a diverse range of sounds to help you produce tracks with authentic rave vibes.🎛️ The preset collection includes a diverse range of sounds, categorized into:
Bass: Deep and powerful basslines
Drums: Punchy and rhythmic drum sounds
FX: Dynamic and engaging sound effects
Hoover: Iconic rave hoover sounds
Keys: Versatile and melodic key patches
Lead: Sharp and soaring lead sounds
Pad: Rich and atmospheric pads🎶 Whether you’re aiming for the nostalgic vibes of early rave or exploring new directions in hard techno, this soundbank provides the tools you need.

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PATCHLIST

AUDIO EXAMPLES

Rave Generation

One Knob Series

🔊 Less-is-more distortion pedal with characteristic Rave Generation analog overdrive.

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NEWSLETTER

SUPPORT

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